Front of the Digger Mountain Anagama
We fired Jay Widmer’s Digger Mountain Anagama near Alsea, Oregon during October 24th – 26th and opened and unloaded the kiln on October 31st. Below are pictures of the different ranges in the kiln as we unloaded them and other pictures of the firing. I will probably add more as pictures become available. I will certainly add pictures of some of the pots when I get around to getting them taken.
Splitting wood in preparation for firing
As you can see the weather was nearly perfect for firing. Here we are getting the wood split for both the front-stoking and side-stoking. This firing we emphasized adding more wood to the side-stoke. We also used more maple and wet alder than in previous firings.
Loading the kiln
Lauren and Sandy (inside the kiln) are helping to load pots into the kiln.
Starting the fire
Lynda lights the fire as Hank and Lauren look on. Right after lighting the kiln the batteries ran out on my camera so I don’t have pictures of stoking the kiln.
Front range of pots just beyond the fire box
Another view of the front range
After a 48 hour firing and a week of cooling we get a chance to see the results. this is the front range just beyond the fire box. There is a lot of ash deposited on the pots in the front but you can a fair amount of color in the pots a little further back.
Second range of shelves
Third range of shelves just in front of stoke alley
As we proceeded further back towards the side-stoke alley through ranges 2 and 3 we see more and more color and less ash deposited on the front side of the pieces.
Fourth range of shelves just beyond the stoke alley
Fifth range of shelves
Range 4 on the back side of the stoke alley had some damaged shelves from the side-stoke wood hitting the nitrite-bonded silicon carbide shelves. This resulted in several damaged shelves and damaged pots. Ranges 5 and 6 have often been quieter zones of the kiln but this firing this section had much more action.
Sixth range of shelves
Seventh range of shelves at the very back of the kiln
The very back of the kiln had wonderful color and ash.
Reception line for unloading the pots
Lynda, Lauren and Joe form the “reception line” to look at each pot as it comes out of the kiln. We pass each pot down the line and stack them on tables that generally contain pots from the same range of shelves. This way after the unloading we look at the pieces from each range of shelves to learn what is happening in each zone of the kiln. The information we glean from this will inform our decisions in the next firing.
Checking out the results from the back of the kiln
Lauren, Pat, Martha and Lynda check out the pieces from the back of the kiln.
Sandy checks out Deb's badger
Jeff, Lauren, Martha and Sandy look at the pieces from the bakc of the kiln. Sandy is checking out Deb’s badger.
More pots from the firing. Pieces in the photo below were behind the stoke alley.
Tables of pots from the firing
Sandy’s and Lauren’s vases show the extent of the color in this firing.
A range of color
Cleaning shelves
Cleaning up the shelves after the unloading.
Filed under: Firings | Tagged: anagama, Digger Mountain, Fall firing, October 2008, Oregon, pottery, wood-firing | Leave a comment »
provided the kiln and creative environment from which so many of the pots in the show emanated.
Ted Ernst Pottery 
